Previously, when the editing application was indexing files, in a non Avid Interplay environment, you would receive out of memory errors. Previously, when you selected Render IN to OUT, not all the effects might have been rendered. Previously, HD-SDI embedded audio was not being output to the Panasonic AJ-HD1700 successfully. Previously, HD-SDI embedded audio output might have sounded distorted on some audio devices. Previously, when logged in using a non-Administrator account, a capture or digital cut might not have been frame accurate on the Symphony Nitris. 
This does not work in a collaborative environment because the drive is only valid on the system that created the effect.
Previously, the Pan & Zoom effect used drive letters when accessing the image to be used for the effect. This caused problems with transferring clips between sites and archiving. Previously, when performing a multi resolution ingest, parameters such as Tape name, Duration, and Tracks, might have changed. Previously, the source timecode might have shifted when performing an edit while capture. Previously, you might have received an error when transcoding clips from OMF to MXF with no change in resolution. The editing application does not support transcoding from progressive to interlaced material. 
Filter by these if you want a narrower list of alternatives or looking for a specific functionality of Avid Pro Tools. Avid Pro Tools is mainly a Music Production App but alternatives to it may also be Digital Audio Workstations or Audio Editors.
If you try to perform the transcode, you will receive a message indicating the "Transcode cannot be completed because the source contains an unsupported resolution." This is as designed. Other interesting Mac alternatives to Avid Pro Tools are Reaper, FL Studio, Ardour and Ableton Live. When loading a progressive master clip into an interlace project, you will be prompted to perform a transcode.
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